When I first wrote about Vanessa Winship in 2011, she had just become the first woman to win the Henri Cartier-Bresson award since its inception in 1988. Her new book, She Dances on Jackson, is the end result of a number of road trips she made across the States, funded by the €30,000 grant from the Cartier-Bresson foundation. It is a thing of still beauty that gives a glimpse of another America, both quotidian and luminous.
The first image sets the tone: an almost stationary river with concentric ripples at its centre, where a fish could just have broken the surface to catch a fly. Beyond the river lies a reeded bank, a row of dark trees and a sky as grey as the water. The stillness is palpable, yet you can almost hear the echo of a soft splash. Another image shows a flock of birds