Landscape Through a Car Window, Darkly

In Autolandscape, Colorado (1971), the shadow of Elaine Mayes’ car echoes the curvature of a hill in the distance. Image courtesy of American Art Museum

By happy coincidence, the new American Art exhibition, “Landscapes in Passing,” is located down the hall from an 1868 painting by Albert Bierstadt—a lush, majestic panorama of the untouched American wilderness, and what most people have in mind when they hear the word “landscape.”

“Landscapes in Passing” brings together the work of three artists who challenged this canonical view in the 1970s. Inspired by the interstate highway system, photographers Elaine Mayes, Steve Fitch and Robbert Flick dared to look past the overweening grandeur of landscapes past, to explore the transient, auto-mediated way we see nature in

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