Rediscovering the Fin-de-siècle Austrian Artist Who Anticipated Expressionism

Richard Gerstl, “Semi-Nude Self-Portrait” (1902-04) oil on canvas, (all images courtesy of the Neue Galerie New York)

When the exhibition Richard Gerstl: A Painter’s Fate opened at the Neue Galerie in Vienna on September 28, 1931, the press reacted with unprecedented enthusiasm on an international scale. Gerstl was called “the Austrian Van Gogh” by the Neues Wiener Journal; he was hailed as “a success unequaled by anything that has happened in the realm of art for the last century” by the Kölnische Zeitung; and he was deemed “an apostle for the art of the future” per the Neues Wiener Extrablatt. Gerstl, however, did not live to see his glory: he had committed suicide 23 years prior, at the age of 25, following the unraveling of his affair with Mathilde Schönberg, the wife of composer (and Gerstl’s former best friend) Arnold

Article source:

This entry was posted in Fine Art News and tagged . Bookmark the permalink.

Comments are closed.