She was made a Dame when she was just 32 in 1929 and became an associate member then full member of the Royal Academy in 1936, the first woman to be elected since 1769. Given that, you might think feminist art criticism would make her into something of an idol. While the popularity of some of her pictures, particularly those of Cornwall in the early decades of the last century, has never really waned, her reputation in art circles has tended to languish since her death in 1970. That may be partly due to a feeling that her work, while skilled, remains dated. Although she certainly learned the lessons of Impressionism and Expressionism in her early years as a painter in Cornwall, she kept well clear of Modernism, sticking to a figurative and landscape art that was conservative in form and tone.
That she is not so highly regarded now may