In this 1995 Independent article, you can read about the former CIA officer who admitted that the Agency secretly funded and promoted Abstract Expressionism as a way for avant-garde, lefty types to reconcile their worldview with American values, rather than Soviet-style Communism. They operated in secret to avoid “the public hostility to the avant-garde,” and hid their actions from conservative Congressmen who hated that long-hair junk.
The decision to include culture and art in the US Cold War arsenal was taken as soon as the CIA was founded in 1947. Dismayed at the appeal communism still had for many intellectuals and artists in the West, the new agency set up a division, the Propaganda Assets Inventory, which at its peak could influence more than 800 newspapers, magazines and public information organisations. They joked that it was like a Wurlitzer jukebox: when the CIA pushed a