DEMYSTIFYING GERHARD RICHTER’S GESTURAL ABSTRACTION Painting in …

In the mid-1970s, Gerhard Richter began making large, colorful, tactile abstract paintings whose sketchy, rough, and blurry effects make us aware of the tools and techniques used and the complicated pictorial thinking involved.1 Sometimes paint is applied with brushes, but more often it is smeared, dabbed, rubbed, blotted, streaked, and dripped with house painting brushes, palette knives, squeegees, and pieces of wood or glass. The emphatic paint textures created may be sensuous or plain, coarse or smooth, even or inconsistent. The shapes created are irregular, vague, incomplete, overlapped, and compressed. These paintings have been described as “gestural” or “painterly,” although Richter refers to them as his “Abstracts,” and they now constitute the largest and most consistent portion of his enormous, erratic oeuvre. They have made him one of the leading abstract painters of the last 40 years and have been the subject of much discussion, yet a cogent, plausible understanding

Article source: http://www.brooklynrail.org/2015/02/art/demystifying-gerhard-richters-gestural-abstraction-painting-in-the-gap-between-abstract-expressionism-and-pop-art

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