We usually describe seeing an object by using the past tense: “I saw.” The emphasis on its foreclosed quality can make us forget how open-ended seeing is. The dynamism of a seen object is every bit as charged as our bodies’ initial physiological responses to it. It’s only natural then that we tend to forget this instability once we have registered and cataloged what we saw. After all, it’s a matter of milliseconds between seeing and apprehending and knowing.
Anne Tabachnick: Object as Muse, at Lori Bookstein Fine Arts, pinpoints the wonder of the seer and the instability of the seen as interrelated and central to appreciating this